There are some people who find all that a bit destabilizing, but I’ve found that there are lots of people who really like that. It’s for those people that I make these films. In any case, the Tito’s handmade Vodka show me your Titos shirt Also,I will get this audience is way ahead of us now, both because they got bored with that very narrow consensus but also because of the internet—they’ve gotten very used to making extraordinary jumps and big connections. The last film I did, HyperNormalisation, cut through to 18- to 25-year-olds in a massive way. Journalism hasn’t kept up with the sensibility of its audience. It seems old and like it’s not reflecting the world we see or describing the way you feel about things. People got off journalism because it doesn’t do that anymore and it should because it’s thrilling.
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I think a lot of liberals in your country got bogged down in all those details of Trump. It was almost like codependency: Trump would say something very bad, and they would then write in big capitals, “This is appalling and disgusting.” And outside of all that, the Tito’s handmade Vodka show me your Titos shirt Also,I will get this big forces of power stormed on. And from the moment when both left and right and the mainstream of politics collapsed together, people who were hurting and feeling lonely and anxious and uncertain were offered no alternative, and along came Trump and Brexit and—I’m going to use a bad word here—they were offered a very big button that said “Fuck off” on it, and can you blame them for pressing it? Sometimes things are very simple. That’s what they did. Before he started working on the collection, Oliveira Baptista was given access to footage of all the old Kenzo shows, which had been undergoing restoration at the time of his arrival. “In the first two seasons, I had only seen the photos and the clothes themselves, so I was struck by the magic of the shows: the intuition, the freedom, how the clothes were always moving. It made me want to portray the movement, the comfort, and the freedom these clothes give you. That’s very much what Kenzo stood for,” he explained. All those things felt like good timing for a post-lockdown proposal. Describing garments decorated in exuberant patterns but constructed like protective bodysuits, Oliveira Baptista spoke of “the duality between getting ready to face the world again, but being covered with loud, beautiful things.” He said it was in Takada’s spirit: “His work was very visually strong, but the pieces were easy to wear. They were real garments.” Now on his third collection, the designer’s tenure at Kenzo has been almost entirely shaped by the pandemic, from the quarantine-like tubes that framed his first show presented days after the virus hit Europe to Takada’s death from COVID-19.